Cover to Cover
Joe Zeff Design relies on LightWave to create stunning cover art for popular magazines -- from "Rolling Stone" to "Time"
Posted: Fri 25 Jun 2010
Leading design studio Joe Zeff Design is well known for its computer-generated illustration for publishing companies, advertising agencies and major corporations, which owner Joe Zeff creates using LightWave 3D® software. Some of his most powerful and highly recognizable images can be found on the covers of magazines such as Newsweek and Time magazines.
Focusing on such controversial subjects as President Obama and the Gulf Coast BP oil spill for Newsweek and “The Broken States of America—how the financial crisis of the states affects all of us” for Time, the artists at Joe Zeff Design were able to create incomparable illustrations using LightWave 3D. According to company president Joe Zeff, whose team created the Newsweek cover in a matter of hours, producing the illustrations under such stringent deadlines would not have been possible without LightWave 3D.
“We have used LightWave 3D to create covers for dozens of magazines—from Rolling Stone and Fortune to Time and Newsweek, as well as advertising images for Porsche, M&M’s, Pepsi and Mercedes-Benz,” said Zeff. “It is the most relied-upon piece of software in our studio. We couldn’t imagine working without it.”
To produce the Newsweek cover, artist Ed Gabel mapped a photograph of the presidential seal onto a 3D object and used LightWave to create the illusion of dripping oil oozing into the hollow spaces of the seal. Zeff then lighted and surfaced the oil model to achieve the desired look and feel, delivering a near-final render to the client in less than a day. Working under such unforgiving deadlines makes repurposing existing assets critical to the design process. Zeff was able to re-use the surfacing and lighting from the cover illustration to generate additional images for the interior pages of the magazine.
Working with various publishers to branch into new markets, Zeff continues to rely on LightWave 3D to develop new types of content for the Apple iPad.
“We use LightWave because it’s the best tool we’ve come across for producing realistic print graphics,” said Zeff. “The excitement surrounding the iPad and other tablets has stimulated the market for turning those print graphics into animations, and LightWave puts us in a great position to capitalize.”